HALION LIBRARIES MANUAL
HALION LIBRARIES FULL
HALION LIBRARIES WINDOWS

For example, you can transpose the pitch, adjust level and pan, and limit the playback to a specific area on the keyboard. In the Sound Editor for programs and layers, you can find the parameters that are set globally for an entire program or layer. The mapping functions are based on information like key range, root key, and velocity range. You can manually edit the sample mapping via the Mapping Editor. You can load, save, and manage different kinds of sound files. You can automate most of the HALion parameters from within your host application, whether these are parameters of a program or global parameters such as AUX effects. In the plug-in functions section, on the toolbar, and on the Options Editor, you can find global functions and settings for HALion. For example, presets can be used in several different sections and contexts, but their handling is always the same. Some common controls and concepts exist throughout the program. This allows you to make the most of the available screen space. The size of each window and window section is individually adjustable.

HALION LIBRARIES WINDOWS

You can arrange the available editors in the window, structure the window sections using tabs, and configure several separate windows for your work. HALion provides flexible and highly customizable window management options. Here you will find detailed information about all the features and functions in the application.

HALION LIBRARIES MANUAL

This is the Operation Manual for Steinberg’s HALion. And Falcon kicks its ass in the content department.The following list informs you about the most important improvements in HALion and provides links to the corresponding descriptions. It is much more comparable to UVI's Falcon.

HALION LIBRARIES FULL

This is ridiculous when they have such obvious, easy paths to make it an instrument that people would happily pay full price for.Īnyway HALion is not in competition with Kontakt. They just have sales where they devalue it by basically giving it away. As they can't figure it out, they are treating it like inMusic treats AIR and SONiVOX. Sadly, I think that Yamaha/Steinberg doesn't know what to do with HALion. Show them how their libraries would be transformed. If they upped their game with more FlexPhrases, they would interest a lot more of the top third-party people to get involved. They are following this path of signing up a handful of instruments, which isn't going to put HALion over the top.Īny instrument, bundled or third-party, is supercharged when you load it into HALion because of the FlexPhrases. They have one of the best cars in the world, but don't want to make gas. If they would create some flex phrasers for modern musical genres, they would sell a ton of copies of HALion. The Flex Phrases are something that no instrument has except for the hardware Montage and Motif. I love the Flex Phrasers and made a video about them. A reasonable amount of high-quality content would push HALion over the top, because it is such a great sampler and has so much to offer without that.Īlso, they should make more flex phrases, but according to Steinberg's Greg Ondo, that is something that is not going to happen.

Don't offer them as paid soundware, there has to be quality inside the bundle that comes when you buy HALION. They have to either hire top people to sample for them or BUY libraries from other companies. If they were seriously interested in breaking through, they would put some things from Iconica and their excellent electric bass library in. The big problem is that most of the instruments that come bundled with HALion are not on the level with what's available with Kontakt. It would take decades of this to make HALion be as successful as, for example, Falcon. But there are only a handful of instruments so far. What is starting to happen is that some companies like Cinematique, Sonuscore, and Soundiron are dribbling out libraries for HALion AND Kontakt.

Halion libraries